Download Airco Std Fonts Family From Typofonderie

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Designed between italic and script styles


Airco is a typeface designed between italic and script styles. The letterform finish is rounded. Designed ultra slanted (27°), the shapes evoke a fast and assertive movement. The result is a human typeface, dynamic, that will visually work well in technology and sport, without ever being dry, rigid or dehumanized. The structure of the letters is influenced by Renaissance italics, at the difference that in the case of Airco, the lowercases and capitals are visually homogeneous thanks to the giants lowercases. In fact, the default numerals can be used in capital as well lowercases settings.


Download Airco Std Fonts Family From Typofonderie
Download Airco Std Fonts Family From Typofonderie



Download Airco Std Fonts Family From Typofonderie


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Download Audace Std Fonts Family From Typofonderie


Between geometry & shapes inspired by nature, in 4 fonts


Audace was born as a response to a simple brief: how to visually express human interaction and technology with abstract forms? The starting point is a humanistic sanserif, to which are added external references: design pieces, furniture, buildings. Architects shape our world with the intention to reconnect nature, human and address a perfect functionality. Not so far to typeface design which combines a personal vision and ensures good legibility in a certain context.


Audace — like the works of those artists, designers, architects — is clearly influenced by the tension of the line, the play with negative space, the dynamics, the surprise, the nature that will influence the shapes of the letters. So if a v is asymmetrical, and the y based on similar asymmetry but in reverse, these two shapes help to distinguish from one to the other. This is a consequence of the influence of forms from design and art in the design of the Audace. And this small example illustrates the confrontations of the designer’s influences: the search for the most unique shapes, but without compromising on function: to be read, to be legible, even at very small size in the worst conditions.


Audace, between geometry and shapes inspired by nature



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Download AW Conqueror Std Inline Fonts Family From Typofonderie
Download AW Conqueror Std Inline Fonts Family From Typofonderie Download AW Conqueror Std Inline Fonts Family From TypofonderieDownload AW Conqueror Std Inline Fonts Family From Typofonderie


Download AW Conqueror Std Inline Fonts Family From Typofonderie


30s inspired geometric inline display typeface


Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French poster artist Cassandre. Later, in the Netherlands, S.H. de Roos designed a version of Inline for its Nobel family called, naturally, Nobel Inline. AW Conqueror Inline pays homage to this beautiful version.


AW Conqueror superfamily

AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skillful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast.


Club des directeurs artistiques Prix 2010

European Design Awards 2011



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Download Monkton Book Condensed Fonts Family From Club Type
Download Monkton Book Condensed Fonts Family From Club Type Download Monkton Book Condensed Fonts Family From Club TypeDownload Monkton Book Condensed Fonts Family From Club Type


Download Monkton Book Condensed Fonts Family From Club Type


Packing more copy in a narrow space is the main reason for using a condensed type. Characters with a more ovular shape tend to be less wide than their circular counterparts and will allow for more letters per line. In narrow columns for example, this typeface can provide up to 25% more copy than the regular typeface in the same space.


Another reason is when a larger type size is called for — used sparingly it is useful for headings or headlines.


For emphasis, narrower letters can provide a stark contrast in the flow of reading, creating impact while retaining typographic character. Condensed types can specially useful in tables and charts because typically both use few words in each block. If space now allows, you may think about the luxury of a larger point size. This optimizes space while keeping your typography more easily legible.





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Download Roughcast Fonts Family From Hanoded

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Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%.


I am in the middle of renovating our old farm, but I won’t cover it in roughcast!


Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast.


Roughcast is best used for packaging, book covers and posters.


Download Roughcast Fonts Family From Hanoded
Download Roughcast Fonts Family From Hanoded



Download Roughcast Fonts Family From Hanoded


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