Download Hologram Fonts Family From Kazer Studio


Hologram is a font inspired by a combination of the future and the past. The intention was to design a font that was most effective when applied to Largely Displayed text like Headings, rather than for smaller extended bodies of text.


There are 3 distinctive styles offered in the Hologram font family. Each style contains over 350+ Glyphs per style with support for up to 26 Languages as well as specialised kerning & spacing.


  • Display Sans: This style is the cleanest of the 3 fonts. There are no serifs attached to the ends of the strokes, although the stroke weight is varied from thick to thin depending on the letters.
  • Display Serif: This style contains modern serifs at the ends of most character strokes that give more structure to the shapes. A majority of the serifs are horizontal in direction with few characters containing vertical serif details.
  • Display Wedge: The most Bold of all is the Wedge Serif style offered. Featuring thick and thin triangular serifs at the ends of character strokes. This style is most effective in Large Displays & Titling uses.


Designed by KAZER STUDIO



Download Hologram Fonts Family From Kazer Studio


Download Engin Fonts Family From Pesotsky Victor

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"Engin" is a sharp and futuristic font. It has rigid structures and broken forms. It's a font that will be used in 2132. Wide shapes and non-standard patterns create a strong image and texture of the text.


Engin supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported.

The font has one Regular weight, all uppercase. Engin font was designed by Viktor Pesotsky.


Download Engin Fonts Family From Pesotsky Victor
Download Engin Fonts Family From Pesotsky Victor



Download Engin Fonts Family From Pesotsky Victor


Download Banknote 1948 Fonts Family From Ingo


A very expanded sans serif font in capital letters inspired by the inscription on a bank note


Old bank notes tend to have a very typical typography. Usually they carry decorative and elaborately designed markings. For one thing, they must be practically impossible to forge and for another, they should make a respectable and legitimate impression. And in the days of copper and steel engravings, that meant nothing less than creating ornate, shaded or otherwise complicated scripts. Designing the appropriate script was literally in the hands of the engraver.

That’s why I noticed this bank note from 1948. It is the first 20 mark bill in the then newly created currency ”Deutsche Mark.“ All other bank notes of the 1948 series show daintier forms of typography with an obvious tendency toward modern face. The 1949 series which followed shortly thereafter reveals the more complicated script as well. For whatever reason, only this 20 mark bill displays this extremely expanded sans serif variation of the otherwise Roman form applied. This peculiarity led me in the year 2010 to create a complete font from the single word ”Banknote.“

Back to those days in the 40’s, the initial edition of DM bank notes was carried out by a special US-American printer who was under pressure of completing on time and whose engravers not only engraved but also designed. So that’s why the bank notes resemble dollars and don’t even look like European currency. That also explains some of the uniquely designed characters when looked at in detail. Especially the almost serif type form on the letters C, G, S and Z, but also L and T owe their look to the ”American touch.“


The ingoFont Banknote 1948 comprises all characters of the Latin typeface according to ISO 8859 for all European languages including Turkish and Baltic languages.


In order to maintain the character of the original, the ”creation“ of lower case letters was waived. This factor doesn’t contribute to legibility, but this kind of type is not intended for long texts anyway; rather, it unfolds its entire attraction when used as a display font, for example on posters.

Banknote 1948 is also very suitable for distortion and other alien techniques, without too much harm being done to the characteristic forms.


With Banknote 1948 ingoFonts discloses a font like scripts which were used in advertising of the 1940’s and 50’s and were popular around the world. But even today the use of this kind of font can be expedient, especially considering how Banknote 1948, for its time of origin, impresses with amazingly modern detail.



Download Banknote 1948 Fonts Family From Ingo


Download Nouveau Spurred  JNL Fonts Family From Jeff Levine
Download Nouveau Spurred  JNL Fonts Family From Jeff Levine Download Nouveau Spurred  JNL Fonts Family From Jeff LevineDownload Nouveau Spurred  JNL Fonts Family From Jeff Levine



The hand lettered title on the 1915 sheet music for “On the Banks of the Amazon” was the design model for Nouveau Spurred JNL, which is available in both regular and oblique versions. This gently spurred Art Nouveau Roman is a beautiful choice for headlines, book titles and other retro-influenced projects.


Download Nouveau Spurred JNL Fonts Family From Jeff LevineDownload NowView Gallery